jducoeur: (Default)
[personal profile] jducoeur
One of the best things about getting the huge new iPod for my birthday is that it gives me carte blanche to rip our whole huge CD collection. But me being me, I'm going through it all, listening to each disc as I go and rating all the tracks. I don't actually tend to listen to albums much on the iPod: instead, I have three main playlists titled "Good", "Better" and "Creme de la Creme", based on how each track is rated. I leave the thing on shuffle, and pick which playlist I want depending on whether I'd prefer more variety or higher quality.

My musical tastes have gradually shifted over the years -- I do a lot more electronica and metal than I once did, following my fondness for kicky and loud music. But having inventoried something like 500 discs so far, I find that the head-and-shoulders Best Album of All Time in my book is still Between the Breaks... Live! by Stan Rogers. I mean, I am *very* strict about the Creme de la Creme list, but this one album has four tracks for it (Barrett's Privateers, The Mary Ellen Carter, The White Collar Holler and Rolling Down to Old Maui). The best album by one of the greatest musicians ever, still more powerful and beautiful than just about anything else out there.

(Just to drive home how eclectic my musical tastes are, my number-two album is Aqualung -- not nearly as pretty, but perhaps the best channeling of raw anger I've ever heard in music.)

So turning this into a good Friday conversation: do you have a favorite? I mean, the One Best Album Ever?

(no subject)

Date: 2008-09-08 12:21 am (UTC)
From: [identity profile] baron-steffan.livejournal.com
I love a good story song, and Budapest is one. There are a lot of "oh, the burden of being a pampered rock star on the road" songs, but there are a few really good ones, and this is one of the best. Also, musically, this is really interesting and varied, and orchestral. I just love listening to it. I also like "Said She Was a Dancer", which, I admit, is very similar, but stands on its own nonetheless. And there are several other tunes here that kick ass as well.

"Baxter's" maybe doesn't seem that earth-shattering to, um, those of a younger generation %^), but you have to take these things in context. We were used to Runaround Sue and that ilk. The Beatles had started to shake things up, to be sure, but even they largely plowed the Fields We Know. Then came the San Francisco Sound, and specifically Jefferson Airplane. Surrealistic Pillow gave us an inkling of what was in the offing, but "Baxter's" just kicked over all the tables. Listen to a couple hours of popular music from the early to mid sixties, and then listen to "Baxter's".

Liege and Lief was the beginning of "British Folk-Rock". As Ashley Hutchings says on the video history of FC (which I have to loan you), their concert in which they first played this was a rare thing: the clear and indisputable beginning of a genre. Steeleye and all the rest: it started here. And it's marvelous stuff. I was at that horrible triple-bill too, and I agree. But give 'em another chance. They've waxed amazingly good and cringingly bad over the years, and you have to follow the personnel changes carefully, but the good is worth seeking out.

Profile

jducoeur: (Default)
jducoeur

June 2025

S M T W T F S
12 34567
891011121314
15161718192021
22232425262728
2930     

Most Popular Tags

Page Summary

Style Credit

Expand Cut Tags

No cut tags