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[personal profile] jducoeur
One observation from last night: it reminded me, once again, that I find the judging and scoring to be my one real beef with the figure skating.

This time, there was a skater (didn't catch where from) whose routine was based on Gene Kelly's classic number from An American in Paris. For my money, it was brilliant: not just good skating, but good nods to the original routine peppered throughout. He actually managed to get a bunch of little nuances of Kelly's movement idiom in there -- not easy when you're moving on teeny little blades at high speed.

Of course, the commentators were full of, "Oh, it's not very hard; it won't score well; blah blah blah". And that proved true -- from a scoring POV, it was mediocre. Which is a damned shame, because from a purely artistic POV (as opposed to an athletic one), I thought it completely stole the show.

This seems to happen about once in each Winter Olympics for me. Sometimes it's a solo, sometimes a pair, but there's always *somebody* who just clearly gets the idea of Skating As Dance, and as Art, far better than the rest of the field. And they *never*, ever, win...

(no subject)

Date: 2010-02-20 01:59 am (UTC)
From: [identity profile] ilaine-dcmrn.livejournal.com
There are three competitors worth comparing here.

Plushenko was at the athletic end of the spectrum. He front loaded his program with huge amazing jumps, then spent the following two and a half minutes skating around on two feet smirking at the audience.

Weir is at the artistic end - he does have good jumps, but no quad, and not enough of the others for the high score. Great spins and footwork, and fabulous presentation.

Lysachek has almost as good jumps as Plushenko, good spins and footwork, and great presentation. He also skated his best performance ever, no mistakes, when the pressure was on. The skater with the most complete package won - not the ends of the bell curve.

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